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Happy shoppers – comedians turn out in force at The Affordable Art Fair

Wednesday, November 16th, 2011

Vic Reeves with one of his works

According to marketing experts ‘emotional engagement’ is the hottest way to make people buy in an economic downturn. The key to keeping sales consistent is to target shoppers’ emotions, persuading consumers to buy something by making them realise it will make them happy. And you can’t really put a price on that, can you?

Emotion absolutely rules over logic when it comes to buying art, so in some ways it makes perfect sense that Focus PR client The Affordable Art Fair this year had a highly successful two-week autumn run in London, firstly at the usual Battersea venue, followed by a brand new Hampstead fair. With combined visitor numbers totalling 35,000 and art sales hitting £5.6 million, visitors were able to browse the very best in affordable contemporary art all valued under £4,000 in a relaxed and unstuffy environment, the important signature style of the fair. 

But what also made us very happy was the sheer number of high-profile comedians who attended the inaugural AAF Hampstead. Ricky Gervais willingly signed autographs while other funny men – including Graham Norton, Michael McIntyre, Stephen Merchant and Simon Amstell – were also spotted, along with Vic Reeves who was exhibiting his own artwork through Eyestorm Gallery. Could it just be a coincidence? Or maybe these men who use their emotions to make a living are just better able to channel it into choosing art?  Whatever the case, buying art should be fun and purchasing a piece which moves you emotionally is worth so much more than any return you may (or may not) get on your investment.

Here are The Affordable Art Fair’s top tips to getting the best buy. 

Prepare
Take some time to think about your requirements before you shop. Have an idea of the space you are considering for the work and make sure you are familiar with colours, the degree of daylight and general surroundings of where it is to be displayed.

Ask
When you are considering a piece of work, ask about the artist’s history.  For example, is their work included in any major collections or has the artist has won any public art prizes? Ask what forms of payment are available too (many galleries now offer interest-free instalment schemes).  If the piece that has caught your eye is out of your budget, ask if there are any other works by the same artist, or in a different medium. Original prints, such as screenprints and etchings, are a great entry-level option and can also offer the chance to buy work by a big name.  If you are unsure about a piece, ask if you can reserve it for an agreed amount of time. Remember, the dealers are there to help you.

Look again
Take some time out to have a coffee or glass of wine and think through your choices.  Consider a work’s liveability and the space you have in mind for it. Once you have considered your options, return to your shortlist of pieces with fresh eyes and a clear mind. Beware though – you don’t want to be left broken-hearted if you return to find the piece that caught your eye has been taken by someone else!

10 golden rules of PR

Wednesday, October 19th, 2011

Hilary Meacham

Good marriages succeed because both parties want it to work and they nurture the partnership to keep it fresh and rewarding. Parallels with client/agency relationships are legion but sometimes it can seem as though clients are from Mars and PR consultancies are from Venus.

Each enters into the relationship with good intentions but, unless both parties fully understand upfront what those intentions are, the chances of a long-term healthy, successful relationship are slim. Lack of clarity is not intended, but can cause irreparable damage.

AAR’s business director Alex Young says that her organisation identified three key characteristics of positive client/agency partnerships: “When clear expectations have been set, when roles and responsibilities are clearly defined and, possibly the most important, when both sides listen to one another.”

Another well-known ‘marriage broker’, Steve Antoniewicz, managing director of Recommended Agency Register, spells out the importance of communication clearly: “If both parties are completely honest and open from the outset then a partnership will have a far greater chance of success. If not then tensions start to appear very quickly. Clients, you need to be honest and realistic with agencies (and with yourselves) about your expectations, your objectives and your budgets. Agencies, you need to be straight about your experience, resources, what you can deliver and, of course, the price!”

Traci Dunne, consultancy manager at advertiser representative body ISBA, advocates “truly open lines of communication with regular 360° relationship evaluation.  This requires bravery on both sides to be honest about the direction a campaign is going and the behaviour within the relationship, or to push back on bad habits.  It’s all about working as a partnership, rather than taking a parent and child approach.”

This need for genuine collaboration comes through clearly from the client fraternity too. Eileen Livingston, marketing controller, Courvoisier and Imported Whiskeys at Maxxium UK says, “I believe that mutual respect, brand understanding and passion are fundamental, as well as a desire to be seen less as client and agency and more as genuinely one team working together to drive brand success.”

Nicky Wheeler, fair director for The Affordable Art Fair agrees that “it’s all about working together as a team where everyone has a genuine interest in the space and a strong understanding of the business goals,  with ideas, problems and – most importantly – successes shared”.

The true test of any relationship is the ability to talk about even the most difficult of subjects.  Where PR is concerned, one of the most commonly-encountered elephants in the room is a lack of understanding about public relations among many marketing professionals.  This is compounded by a tendency for agencies to use jargon or make assumptions to avoid embarrassing the client or themselves.

As Traci Dunne observes, it’s essential to acknowledge the issue and address knowledge gaps if a campaign is to be effective and measureable. “I have found  with PR that clients can sometimes only have a basic understanding of how it works and what it can do.  Agencies should take the time to evaluate the level of their clients’ PR understanding and try to enhance their knowledge so appropriate targets and objectives can be set.  This will provide a platform for measurement and evaluation.”

There is much that agencies and clients can learn from one another and all parties seem to agree that honesty and open dialogue from the very first contact are essential for success.  In conjunction with our clients and team, we’ve put together ten golden ingredients for a happy, productive collaboration between consultancy and client:

  1. Form a partnership as business equals
  2. Respect each other’s expertise
  3. Have both sides listening
  4. Include the consultancy within the client team
  5. Ensure both parties share information, facts and expectations from day one (product immersion sessions, agreement on liaison, copy and budget authorisation, reporting and evaluation etc)
  6. Be brave, or be safe, but be clear which
  7. Be honest about every component, especially budget
  8. If the client is less experienced in PR, no problem, as long as they are open to learning
  9. A written brief with defined KPIs and budget is essential for a professional, worthwhile dialogue
  10. Be fair to each other (ultimately you’re on the same team)

Over half of Focus PR’s total fee income comes from clients with whom we have worked in happy, rewarding and mutually profitable relationships for five years or more.  Tells you something.

Hilary Meacham, managing director, Focus PR

First published in Marketing magazine, 12 October 2011

 

 

Affordable Art Fair Bristol draws the crowds

Tuesday, May 17th, 2011

Two of the Focus PR team show off the impressive wall of media coverage at Bristol AAF

The Affordable Art Fair returned to Bristol for its annual visit last week, and welcomed thousands of visitors and buyers through its doors.  Fair director, Nicky Wheeler, found the time to do lots of media interviews, appearing on several local radio stations as well as featuring on ITV West Country’s TV news bulletin.  Check out the footage here.